The London Symphony Orchestra's Debussy series with Chief Guest conductor François-Xavier Roth, at the Barbican, London will be much more than "Debussy's Greatest Hits" but a series that puts Debussy into context in a thought provoking manner, typical of Roth's intelligent musical flair.
Tomorrow, 21st January, "The Young Debussy" with Debussy's Première Suite which Debussy wrote while still a student. The piece exists in manuscript but was was only prepared for performance in 2012 when Phillippe Manoury orchestrated the final movement, Rêve. Roth conducted the premiere with Les Siècles and made the so far only recording. The Première Suite unfolds in four movements, Fête, Ballet, Rêve and Cortège et Bacchanale. Though the piece is very early Debussy indeed, (1882-4) there are passages which suggest how the composer was going to develop. It will be heard together bwith The overture to Wagner Tannhäuser, the suite of Massenet Le Cid and Lalo's Cello Concerto with Edgar Moreau, soloist. A big programme, but consider the connections and influences.
On Thursday 25th, four keynote pieces, Prélude à l'après-midi d'un faune, Fantasy for Piano and Orchestra (Cédric Tiberghien), Jeux and Three Nocturnes. More provocatively, on March 25th "Debussy and Beyond" demonstrating the influence of Debussy on modern music. Boulez Livre pour cordes, Bartók Violin Concerto No 2 (Renaud Capuçon), Stravinsky Chant du Rossignol and a new work by Ewan Campbell.
Last but certainly not least, not least, on Sunday 28th March, "Half Six Fix" a one hour concert starting 6.30pm - Debussy La Mer and Stravinsky Chant du Rossignol. Worth coming in to town for that alone and dinner later. Or, you could stay for the evening concert with the Britten Sinfonia and the Britten Sinfonia Voices, with Stravinsky, Gabrieli, Gesualdo, Mozart, Bruckner and Esa-Pekka Salonen's Concert etude for solo horn.
Original Content: Thoughtful Debussy series, Roth and LSO, Barbican
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